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- #Cinematic strings 2 vs. cinesamp.e strings how to#
- #Cinematic strings 2 vs. cinesamp.e strings full#
- #Cinematic strings 2 vs. cinesamp.e strings pro#
- #Cinematic strings 2 vs. cinesamp.e strings series#
Lush large ensemble recordings are made for the Air Lyndhurst Hall acoustic.Įven ensemble patches are quickly playable and completely usable. Once you know the methodology for one of the libraries, you know them all pretty much Seamlessly use them all together as needed. Part of an extremely well thought out family of products. The close mics are not perhaps as dry as some libraries, so it has less relevance for some pop styles (but they have this covered, both with the Chamber Strings and with some of the smaller ensemble libraries like Spitfire Solo Strings. It works seamlessly in conjunction with the chamber ensemble should you wish to layer things (which I often do) and as mentioned above, the performance legatos are stunning! There are 16 1st Violins, 14 2nd Violins, 12 Violas, 10 Cellos & 8 Basses and 175 articulations to choose from! And each section is recorded in its correct place for an orchestra – so without panning anything it all “sits” together. It’s perfect for lusher large ensemble sounds and the portamento (slide) transitions which you get when playing a gentle velocity are glorious. Without completely repeating what I’ve said above, it works almost identically to the Chamber Strings library – the only difference being the number of players in each part of the ensemble. Here’s an example of a small mockup to show some of the different sounds of my a selection of my chosen libraries and how they compare to the stock EXS sounds in Logic.
#Cinematic strings 2 vs. cinesamp.e strings how to#
If you haven’t read my article How To Choose Orchestral Sample Libraries - An Introduction, then use might want to bookmark this page, go and read my introduction and then come back to this page.
![cinematic strings 2 vs. cinesamp.e strings cinematic strings 2 vs. cinesamp.e strings](https://www.rhinegold.co.uk/wp-content/uploads/2016/02/Strings-2.jpg)
I should also say that I’ve not included solo string libraries like Embertone Joshua Bell Violin (amongst others) as I’ve concentrated on ensemble libraries of both big and small. The biggest trade-offs are between the achievable sound, the workflow to achieve it, how hard it pushes my computer and how much I enjoy working with it. This is somewhat harder for strings, and I can't promise to choose just one! I will, however, reveal my desert island choice at the end. But this is mine!Īs each library has a signature sound, and particular strengths and weaknesses, I tend to blend libraries to create a unique sound, rather than relying on one. This selection will doubtless be controversial, and 10 composers will give you 10 different lists.
#Cinematic strings 2 vs. cinesamp.e strings series#
Has a ton of articulations and patches.Continuing my series on Orchestral Sample Libraries, let’s move onto the family that is most likely to divide opinion – The strings. Very detailed, expansive and beautiful sound – true Spitfire Audio sound with the famous Air hall.
#Cinematic strings 2 vs. cinesamp.e strings pro#
However, to have all the articulations and sections, you’d need to buy both Cinebrass Pro and Cinebrass Core. Easy to use and great interface with a lot of mixing potential. One of my favorite brass libraries for that big sound. The albions also contain synths, extra percussion, loops, and more. Definitely would recommend buying something like Albion One as your first big orchestral sample library.
#Cinematic strings 2 vs. cinesamp.e strings full#
My favorite ones of these are Albion 3: Iceni which is specifically for that low end and dark orchestral sound, and Albion One for big and bold full orchestra.
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Fantastic libraries for beginners, but also for professionals. These libraries have great articulations for strings, brass, woodwinds, percussion and sound design.
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The Albion Series (Spitfire Audio, Kontakt)ĭifferent pricings, but a lot for the money.Here are some of my favorite all-in-one libraries: Once you buy the section-specific libraries, you’ll get more bespoke articulations for those sections, because the sample developers have spent a lot more time on that specific section.Īpart from the orchestral sections, in several ones of these you also get extra content like organs, synths, ethnic percussion, and more. Some of the full orchestral libraries have more articulations, and some less. This is what you mostly use as an orchestral composer anyways, so these all-in-one libraries are highly useful. Con sordino (muted, both brass and strings).Col legno (hitting the strings with the wood of the bow, percussive sound).These contain all the standard sections of the orchestra, and have the most basic and fundamental articulations that you need: The absolute perfect starting point for any composer is to go with all-in-one libraries.